藤田和

FUJITA Nagomi

たゆたう26-3

Waver 26-3

ガラス、漆、金粉、銀粉、金箔、アワビ貝

Glass, lacquer, gold powder, silver powder, gold leaf ,abalone shell

26×19×h4.5cm

2026

Art+Craft Gallery蚕室Art+Craft Gallery San-Shitsu

ARTIST INFORMATION

2018年: 京都市立芸術大学美術学部工芸科漆工専攻　卒業
2019年: 京都市産業技術研究所伝統産業技術後継者育成研修　漆工応用コース修了
2022年: 金沢卯辰山工芸工房　漆芸工房修了
2025年: 群馬県嬬恋村に制作場所を移し活動中

漆とガラスの関係性を模索するなかで、磨りガラスの表面に漆を塗るとその部分が透明に透けることを発見し、現在はその現象を利用し、磨りガラスの胎に漆絵や蒔絵をほどこし重層的な加飾表現を行っている。

2018: Graduated from the Urushi Lacquering major, Department of Crafts, Faculty of Fine Arts, Kyoto City University of Arts
2019: Completed the Advanced Urushi Lacquering Course, The Training for Successors to Traditional Industrial Technologies, Kyoto Municipal Institute of Industrial Technology and Culture
2022: Completed the Urushi Work (lacquerware) Studio at the Kanazawa Utatsuyama Craft Studio
2025: Moved her studio to Tsumagoi Village, Gunma,, where she is currently working.

While exploring the relationship between lacquer and glass, she discovered that applying lacquer to the surface of frosted glass makes that area appear transparent. She now utilizes this phenomenon to create multi-layered decorative expressions by applying lacquer paintings and maki-e (gold/silver powder inlay) to a base of frosted glass.