陶土
Clay
work-1603
髙津 未央
Mio Takatsu
陶土
Clay
H480xD125xW135mm
2016
価格/PRICE
¥200,000~299,999
ARTWORK INFORMATION
陶芸を始めたばかりのころ、私にとって焼成は焼き固めることでしかなかった様な気がします。焼成で形が変わることが許せなかったのです。
しかし、何年も土で形を作り、釉薬を施し火を通して制作を続けているうちに、そんな焼成の制約が、許せないことばかりでなく、魅力にも感じられるようになって来ました。
熊倉順吉の言葉である「土と炎によって生まれてくる焼き物の宿命的な姿」が解るようになってきました。
1999 | 大阪芸術大学美術学科彫刻コース 卒業 |
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2001 | 大阪芸術大学大学院造形表現Ⅳ 修了 |
公募展・展覧会 |
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2002 | 国際陶磁器展美濃 入選 ('05、'08) |
2008 | 第8回国際陶磁器展美濃 デザイン部門 銅賞 |
2011 | 第57回ファエンツァ国際陶芸展 入選 第21回日本陶芸展 毎日新聞社賞受賞 KOBEビエンナーレ2011現代陶芸コンペティション 審査員特別賞 |
2015 | Imaging the Blue and White-The Impact of the New(新北市立鶯歌陶瓷博物館/台湾) |
2017 | KOGEIのこれから展(銀座三越7階ギャラリー/東京) |
2018 | 髙津未央・山口美音展 (艸居/京都) |
Clay had always been familiar to me since I was born and raised in a ceramic-producing region. I believe this is the reason why I choose to work with clay when a majored in sculpture.
Back then, I felt that firing was nothing more than a process to harden the clay and could not stand the clay changing form in the process. However, as I made forms from clay for many years, glazed them, and continued to fire them, I started to realize that these restrictions through firing became not only unforgivable, but also appealing. I have finally come to understand the words of Junkichi Kumakura's, "the fateful appearance of pottery is created by clay and flames."
1999 | Graduated from Osaka University of Arts (Sculpture) , (Osaka, Japan) |
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2001 | Graduated from Osaka University of Arts (Modeling ArtⅣ) (Osaka, Japan) |
Competitions・Exhibitions |
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2002 | INTERNATIONAL CERAMICS COMPETITION MINO('05, '08) |
2011 | The 57th Faenza International Ceramic art exhibition choice containing Winning the 21st Japan Ceramic art exhibition Mainichi News paper prize KOBE Biennale 2011 Contemporary ceramics competition judge special prize |
2015 | Imaging the Blue and White-The Impact of the New (New Taipei City Yingge Ceramics Museum / Taiwan) |
2017 | From this of KOGEI ten (the seventh floor of Ginza Mitsukoshi gallery / Tokyo) |
2018 | MIO TAKATSU and MIO YAMAGICHI (SOKYO GALLERY / Kyoto) |